This series begins with a question: What remains when we unravel what surrounds us? Geometric shapes, in their apparent rigidity, are metaphors for closed systems: ideas, structures, even thought itself. By unfolding them onto the circle—a symbol of the infinite and the cyclical—this act becomes a reflection on liberation. It is not merely a physical deconstruction, but a gesture that questions the boundaries between the interior and the exterior, between the hidden and the obvious.
The desaturated colors echo Itten’s theory and reveal that what is essential does not always lie in the vivid, but in the subtle. The muted tones express what remains when the noise is filtered out: the pure structure, the very core of form. Each work is a dialogue between order (geometry) and chaos (unfolding), between the finite (the paper) and the infinite (the circle that envelops it).
It is an exercise in unfolding, in the dissolution of form, as opposed to its construction. It is not a pattern from which a vessel might emerge, but rather an exercise in repetition in which the vessel—which is in itself already a mechanism for introspection and synthesis—unravels to break down its structure and its three-dimensional space onto the plane; it is an attempt to lay the cards on the table once more; to unfold within oneself, to reveal oneself in different directions.
It is not an object, but a process: unraveling to understand; revealing to question